An Accident at The Lounge Theater

Once again I find myself on stage! This time I will be embodying Lydia Styrk's deep and compelling lead, Libby, in An Accident with the Griot Theatre Company of the West Coast. 

The show follows Libby, who is hit by a car ends up in the hospital--unable to move. She has a hospital visitor, who ends up being the man who hit her. There are encounters in life that take you somewhere you've never been and never meant to go.

It is a rare gift as an artist to find a play that has so many opportunities to explore the fragility of the human mind, body, and spirit. I am so thrilled to be able to bring this show to life and I'm excited to share the stage with industry vet, Kent Faulcon. 

The show opens on October 6th and closes on the 29th! Tickets are available at:

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White Guy on the Bus

White Guy on the Bus will be making it's Los Angeles premiere at The Road Theatre on Magnolia this January and I am thrilled to be the female lead in this timely narrative. 

Ray, a white financial manager from an affluent neighborhood, has a loving wife and liberal family. Shatique is a black nursing student and single mom from the rough side of town. As they ride the same bus to the same gritty prison every week, they seem to be getting to know each other – until Ray reveals his shocking true purpose for taking these weekly rides. As the ties between Ray and Shatique spin into a complex web of moral ambiguity, revenge, and racial biases, they reach a stunning conclusion in this play the New York Times calls “a frank stare-down at racial perceptions today…an unsettling study in cultural disaffection that is likely to spark discussions afterward.”

When I come across a project I always ask myself what message we're sending within the narrative. Why does this story exist? Will our audience leave with an experience? A new thought? A cathartic release? 

After reading White Guy on the Bus I was thrilled with how it answered all of those questions. This is the type of play that you leave not only examining yourself but also with a deep need to have conversations with those around you. We are living in tumultuous times in many ways and certain conversations need to be had if we are ever going to grow out of those times. This play, without a doubt, will help to start some of those conversations. 


Back on Stage!

I couldn't stay away for long! This time I am stepping into the skin of Jordan Matthews, the lead in Tira Palmquist's new play And Then They Fell, being produced at Atwater Village Theater by Brimmer Street Theatre Co. 

And Then They Fell tells the story of Jordan and Cal, two teenagers who find themselves without stable homes. Jordan has fled a home wrecked by alcoholism and sexual abuse while still trying to graduate high school with honors. Cal is a young transgender boy set adrift by his family’s intolerance and the failure of adults and institutions to help him through a severely vulnerable period of his young life. These two teens find each other, and for a while, they give each other the hope and security they so desperately need.

All ticket proceeds will be donated to My Friend’s Place, a homeless youth resource center in Hollywood. Their mission is to assist and inspire homeless youth to build self-sufficient lives. It is a professionally staffed drop-in resource center serving over 1,400 homeless youths ages 12 to 25 (and their children) each year. The primary goal is to lower traditional barriers to service and provide homeless youth with the opportunity to improve their psychological, intellectual, and physical capacity to reach their potential.

Stepping into this world has been heartbreaking and magical. The scariest part is how true it rings for many homeless young people in the greater Los Angeles area. I hope that this play will raise awareness of those who need our aid but who are often ignored in the shuffle of the big city.